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张介宇——聚焦新时代最具影响力人物之书画

来源:环球文化网  http://www.hqwhw.com     编辑:Emily 2018/9/30

      张介宇,1948年出生,现为胡杨艺术研究院院长,中央文史研究馆书画院研究员,中国美术家协会会员,文化部中国国际书画艺术研究会理事,北京大学兼职教授,岭南大师黎雄才入室弟子,人民大会堂金色大厅《胡杨礼赞》创作者。

      Zhang Jieyu, born in 1948, is now the dean of the Academy of Chinese Art, the researcher of the Calligraphy and Painting Institute of the Central Museum of Culture and History, the member of the Chinese Artists Association, the director of the Chinese International Calligraphy and Painting Art Research Association of the Ministry of Culture, a part-time professor of Peking University, a disciple of Lingnan Master Li Xiongcai, and the founder of the Golden Hall of the Great Hall of the People. Author.

人民大会堂金色大厅创作巨幅《胡杨礼赞》2015年6月350x1000cm

      擅长水墨山水画,画风雄阔幽远、壮丽、凝重。在山水画领域里独树一帜。是一位具有深厚社会责任感和博爱情怀的画家。他把山水画当作历史、史诗来画,作品多为表现时代的主旋律、弘扬中华民族不屈不饶、奋斗不息精神的题材。只知潜心作画,默默地为国家主要部门:中南海、毛主席纪念堂、人民大会堂、中央军委、武警总部、西北民航、海关等创作多幅巨作被悬挂收藏。

      He is good at ink and wash landscape painting, and his style is far away, magnificent and dignified. It is unique in the field of landscape painting. It is a painter with deep sense of social responsibility and fraternity. He painted landscape painting as a history and epic, and his works were mostly themes to express the theme of the times, to carry forward the indomitable spirit of the Chinese nation. Only to concentrate on painting, silently for the country's main departments: the Central South China Sea, Chairman Mao's Memorial Hall, the Great Hall of the People, the Central Military Commission, the headquarters of the armed police, the Northwest Civil Aviation, customs and other works were hanging collection.

反照入溪翻石壁61cmx34cm 2007年

      先后在北京中国美术馆、革命军事博物馆、广州、西安、兰州、烟台、天津、哈尔滨、美国、英国、法国、俄罗斯、澳大利亚、日本、韩国等地举办过个展和参选联展。

      出版有:《张介宇中国画集》陕西人民出版社、《当代中国画名家张介宇精选》天津人民美术出版社、《胡杨礼赞》人民美术出版社,《张介宇画选》人民美术出版社等。

      In Beijing, China Art Museum, Revolutionary Military Museum, Guangzhou, Xi'an, Lanzhou, Yantai, Tianjin, Harbin, the United States, Britain, France, Russia, Australia, Japan, South Korea and other places held individual exhibitions and joint exhibitions.

      Publications include: Zhang Jieyu's Collection of Chinese Paintings, Shaanxi People's Publishing House, Selected Contemporary Chinese Painters, Tianjin People's Art Publishing House, Hu Yang Lizan People's Art Publishing House, Zhang Jieyu's Selected Paintings, People's Art Publishing House, etc.

岭上人家70cmx138cm2012年

      薛永年   中央文史研究馆书画院副院长、中央美术学院教授。

      张介宇先生是著名的中国画家,他画胡杨尤为独特。多年前就画过《胡杨礼赞》长卷,产生了非常大的影响,得到业界极高的评价。这次人民大会堂金色大厅主厅请张介宇画《胡杨礼赞》是非常正确的选择。

      张介宇在创作上,注重写生,把传统的笔墨和西画的空间处理和造型观念结合起来,在发挥笔墨的同时,也强调色彩的表现力。他创作的“胡杨礼赞”是非常成功的殿堂画作,受到专家学者的广泛好评。风格质朴、平实、熊强、厚重、气势磅礴、内涵凝重、笔墨浑厚、非常凝练、色彩辉煌,有充分的视觉张力、有深厚的历史空间、更有民族精神。

      因为他画胡杨非同一般,不仅对这个题材背后的意义体会很深,而且艺术表现也非常成功。胡杨,我们都知道有着“生生千年不死,死千年不倒,倒千年不朽”的美誉,一个千年有多长,它相当于纵贯了我们中国的历史。

      看到它,就会想到这种生命的辉煌是与我们民族同在,而它在极其恶劣的环境中顽强不屈,生生不息,恰是我们中华民族精神的反映!就会联想到习总书记一带一路的宏大战略!

      Xue Yongnian, vice president of the Academy of Arts and history, and professor of China Central Academy of Fine Arts.

      Mr. Zhang Jieyu is a famous Chinese painter. He painted Hu Yang. Many years ago, he painted a long volume of "Euphoria eulogized by Hu Yang", which had a great influence and was highly praised by the industry. This hall of the Golden Hall of the Great Hall of the people asks Zhang Jieyu to draw the praise of Populus euphratica, which is the right choice.

      In his creation, Zhang Jieyu pays attention to sketching, combines the traditional pen and ink with the space processing and modeling concept of Western painting, and emphasizes the expressive force of color while exerting his pen and ink. His "praise of euphratica" is a very successful palace painting, which has been widely praised by experts and scholars. Simple style, plain, strong bear, heavy, momentum, dignified connotation, strong ink, very concise, brilliant color, full visual tension, a profound historical space, more national spirit.

      Because his paintings of Populus euphratica are extraordinary, he not only has a deep understanding of the meaning behind the subject matter, but also the artistic expression is very successful. Populus euphratica, as we all know, has the reputation of being immortal for thousands of years, not falling down for thousands of years, but immortal for thousands of years. How long is a thousand years, it is equivalent to the history of China.

      See it, you will think of this glorious life is with our nation, and it is in extremely bad environment indomitable, endless, is the reflection of our national spirit! It will associate with the grand strategy of General Secretary Xi's belt.

红潮弄天138cmx70cm 1999年

      张介宇先生把胡杨画到金色大厅里,在政治意义上讲是丝绸之路的再现,是一带一路的伟大发展!在艺术上讲,是洪钟大吕的创作,也是属于山水画里的重大选题。通过焦点透视,把胡杨画的非常高大雄伟,体现了它的崇高壮美感,从画面上的纵深又能看到生命力旺盛的胡杨后面,在浩瀚的沙漠里的生存环境。用中锋画出的树杆,强劲有力,有如石头般结实,茂盛的树叶是根据实际的观察,一簇一簇地画出叶子的质感,有了体感就有了光影的闪烁,画面上的题词也反映了中国画的特点,落实到生命的辉煌上。

      Mr. Zhang Jieyu painted the Populus euphratica in the golden hall. In the political sense, it is a representation of the Silk Road and a great development along the way. In art, it is the creation of Hong Zhong Da Lu, and it is also a major topic in landscape painting. Through the focus perspective, the painting of Populus euphratica is very grand and magnificent, reflecting its sublime beauty. From the depth of the picture, we can see the living environment behind the vigorous Populus euphratica in the vast desert. The poles painted by the center are powerful and stony. The lush leaves are based on the actual observation. The texture of the leaves is painted in clusters, and the light and shadow shine with the feeling. The inscriptions on the pictures also reflect the characteristics of Chinese paintings, which are embodied in the glory of life.

雪域晨光79cmx180cm 2002年

      胡杨之缘——张介宇及其笔下的胡杨

      中国美术馆研究馆员  中国美术家协会理论委员会副主任   刘曦林

      望介宇笔下之胡杨荣枯之状,钢铸铁打之如塑体量,或许可与霍去病墓石雕可比,决不与窗外轻烟薄雾般的桃柳同一格调。笔者在介宇家得观其2000年所作《万壑松风图卷》,松林苍郁劲拙,山岳高耸神奇,若闻泉流瀑泄,若接层云荡胸,乃如洪钟大吕之交响大曲,同年所作《黄河颂歌》,写壶口飞龙涌珠、万雷轰鸣之境,气势博大雄强,入选在联合国教科文组织总部举办之“中华世纪之光——中国当代书画艺术大展”并非偶然。

      他已经有春发、夏茂、秋黄、冬劲的起承转合构想,已有以胡杨为主体附以红柳、芦草的布局层次,且具近有巨木、中有河滩、远有大漠远峰的纵深关系,已经体现出以写实为宗的严谨造型和雄强苍劲的笔墨骨力、蓊郁繁茂的气氛渲染融为一体的匠心,最后面胡杨倒而不朽的形象,笔墨更加苍厚,甚至于有些悲壮。他画胡杨的过程也是与胡杨互塑的过程。当他为胡杨造像的同时,也是在为自己画像,同时,大自然、造化、胡杨也在进一步塑造他。不仅塑造他的魂灵,也塑造他的艺术思维和艺术道路。它还启发我们:胡杨精神与人的精神、品格修行与艺术深度的理解和把握有何内在联系,美术家、美术作品、美术史、美术理论,乃至整个人类的物质与精神的文明,欲求在不已的反思和研究中前行,尽可以胡杨为师,也无不在胡杨面前经受历史的考验。

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